You'll also find 15 pre-designed Drum Racks in the Live Pack. Some of the cells have presets and all are quite flexible you can go way beyond drum sounds with these. To design your own kit, start with an empty Drum Rack and then drag DrumSynth cells to the pads as desired. It comprises 13 different synths, called 'cells', for creating specific drum sounds (kick, hi-hat, snare, clave and so on). Granulator II uses a separate buffer for grabbed audio, and deactivating the Line In tab (click on it) toggles back to the original buffer.ĭrumSynth, in the Essentials Pack, is a great tool for building electronic drum kits or for augmenting your acoustic kits with electronic sounds. Play something on the source instrument or from the source audio track and then tap the footswitch to capture it in Granulator II.
#M4L MIDI MONITOR MOD#
Map a MIDI mod wheel to Granulator II's FilePos knob to control playback position.Ĥ. Map a footswitch to the Grab button on either Granulator II or GranulatorInput II.ģ. If you're using an instrument to feed GranulatorInput II, assign different keyboards or separate key ranges on the same keyboard to the instrument and Granulator II.Ģ. The current contents of its buffer are transferred to Granulator II when you click either its Grab button or the Grab button on Granulator II.
GranulatorInput II continuously buffers up to 16 seconds of audio. You can also use Granulator II with a live input by inserting the companion audio effect, 'GranulatorInput II', on any instrument or audio track. The Filter view offers synthesis controls such as ADSR envelopes (for amp and filter), filter parameters, and so on. The Grain view affects how the 'playback head' moves through the sample, the size of the playback region, and various modulation options. Then drag some of your own samples into its sample window and play around with the controls in the Grain and Filter views. You'll find detailed explanations of granular synthesis and the updated Granulator II on both Henke's web site ( and Ableton's ( but you can get started with a few simple examples and tweaks, as in screen 1.įirst, try the 12 presets that come with Granulator II they provide a good overview of what granular synthesis is all about. Granulator, one of the first Max For Live instruments, was developed by Ableton co-founder Robert Henke.
#M4L MIDI MONITOR HOW TO#
In this month's column, I'm going to share some tips on how to use some of my favourites. You can use these instruments and effects just like Live's other devices, without having any idea of how to build them yourself.
#M4L MIDI MONITOR FREE#
It is now included in Live 9 Suite and is available for £129 $199 to Live 9 Standard users, and it comes with a large number of free instruments and effects. Max For Live is an essential tool for some Live users and a complete head-scratcher for others. There's something for everyone in Max For Live, as we'll see while we explore the best devices MFL has to offer. If you don't want MIDI notes to affect pitch, switch to the Filter view and change the Pitch Key setting to zero (circled in red at the bottom). The Grain knob to the left sets the size of the play region. MIDI note C3 will now play the shaded portion of the sample and other notes will shift the play position left and right. Despite its many controls and options, it's easy to get started with Granulator II: insert it on a MIDI track, drag any sample from your library to its sample window and set the file-position Key setting to 100 (circled in red on top).
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